reviews

from Sedgefield Blues Club

Chris 'King' Robinson &
The Della Grants
September 2018

Friday nights sell out gig (Chris King Robinson & The Della Grants at Sedgefield Rock and Blues Club was a double header with The Della Grants and Chris King Robinson The Della Grants opened proceedings with a fine set of original material and a few true blues classics. It has been a couple of years since the band were last at Sedgefield and since then they have added to their line up with Tony Robinson on keys (not the Time Team/Blackadder one btw). Hugely enjoyable performance from the DGs featuring material from their “Time for a change” album, and their “First Fix” EP recorded at Abbey Road in 2016. https://www.thedellagrants.com/

Chris King Robinson was on stage after the break and wowed the audience with his guitar and vocals, ably supported by Nig Turner on bass and Tom Relihan on drums. Chris is making quite a name for himself as one of finest young guitarists in the world, and it is easy to see why. A great mixture of original material from his “She’s Got Nine Lives” EP, and blues/rock standards, http://www.chriskingrobinson.com/home.html

Chris King Robinson at Sedgefield Blues Club 7th September 2018
Chris King Robinson at Sedgefield Blues Club 7th September 2018
Chris King Robinson at Sedgefield Blues Club 7th September 2018
Chris King Robinson at Sedgefield Blues Club 7th September 2018
Chris King Robinson at Sedgefield Blues Club 7th September 2018
Chris King Robinson at Sedgefield Blues Club 7th September 2018
The Della Grants at Sedgefield Blues Club 7th September 2018
The Della Grants at Sedgefield Blues Club 7th September 2018
The Della Grants at Sedgefield Blues Club 7th September 2018
The Della Grants at Sedgefield Blues Club 7th September 2018
The Della Grants at Sedgefield Blues Club 7th September 2018
The Della Grants at Sedgefield Blues Club 7th September 2018
The Della Grants at Sedgefield Blues Club 7th September 2018
The Della Grants at Sedgefield Blues Club 7th September 2018
The Della Grants at Sedgefield Blues Club 7th September 2018
The Della Grants at Sedgefield Blues Club 7th September 2018
The Della Grants at Sedgefield Blues Club 7th September 2018

Sean Webster/Stoney Broke
April 2018


24th November

Rebecca Downes

Rebecca Downes at Sedgefield Blues Club 2017

Well, I can confirm that lightning does strike the same place twice, although in this case it took [exactly] 2 years between strikes. Rebecca Downes and her guys returned to Sedgefield and once again seared the walls with a blistering set.

Last time they were putting the finishing touches to what became the mighty Believe album, and this time we got treated to 2 new numbers from the next album, still in progress, a very ‘Stonesy Take Me Higher and a change in style, heavy, almost ‘Sabbath sounding If I Go To Sleep; proving that Rebecca and Steve are still looking for those creative boundaries.

M.Craggs
24th November

Benjamin Bassford

Benjamin Bassford at Sedgefield Blues Club 2017

Any guy who can do two appearances at Sedgefield Blues in as many years is worthy of a mention on here, Anyone who can deliver such a quality set of original material with such ease and style is long overdue their own thread. To my detriment I missed him on the previous visit so knowing that he’s been doggedly craving out a solid reputation, this time I wasn’t going to let him slip by.

What can you say; armed with a couple of acoustics and a National Steel, this young guy can seriously pick out a rhythm and strong melody with the best of them. The voice is strong, gritty though not overly forced. His material, culled on Friday mainly from his most recent E.P. Songs from The Blue Door (grab it and it’s predecessor Road Sickness while/if you can) and an upcoming full album, is very much original but with due nods to influences such as Leadbelly and Tampa Red but with a more contemporary edge to Urban Blues. Sure, there are others ploughing a similar furrow, but often mire themselves down “in the mood” where Benjamin lifts this with some asides.

This particular love of the “retro” is reflected in Benjamin’s stage dress, probably to the approval of the “Blues Police”; he looks like he could thump Alan Ladd and run off with Veronica Lake in his 1940 Desoto. (I’m told though he has a Skoda…) This though is only a device to emphasise his blues roots; his material though framed in this style, is very much his own, and when listened to properly, the lad has a great stortteller’s style. I think there’s a new Blues genre coming through here; Ian Siegal & Jesse Davy flirted with it on a colaberation, Aynsley experimented with it recently, Il Grand Mafioso, but I think in terms of style and content, Benjamin has nailed it; I’m going to call it “Blues Noir”. (And copyright it with Steph though Straight Talkin’ Records before Henry Yates gets a sniff of it…) M.Craggs.